The performance is based on the idea of ​​presence and the very fact of being physically inside the space of the circus. In this work, the authors explore the possibilities of communication with the circus as a space, purified from the historical context and from its original entertainment and entertainment function.

The authors present the space of the circus as a model of the internal structure of the Earth, and at the same time — as a diagram of a labyrinth built into a child's game, where it is necessary to roll a metal ball into a hole. The playful component of the performance allows creating the conditions inside the circus space that are necessary for the direct involvement of the audience in the artistic action.

The involvement of the viewer occurs through the actualization of the theme of the boundaries that arise between the internal and the external, between the earthly and the human. The performers experimentally seek to find the problem of violating the personal boundaries of a person and answers to the question of where and at what moment the boundaries of what is permitted, emotions, feelings, ecology, etc. arise and end.